S. J. Kincaid creates suspense by letting the readers in on all of Tom’s thoughts, and only Tom’s thoughts. Any time Tom is even mildly worried about anything, we know. That, in turn, causes us to worry along with Tom. We also only know the things Tom knows, which leaves us wondering about what’s happening elsewhere. Tom is in a special school so we have very little knowledge of what's happening outside of the school, besides the times he is able to leave to visit his father. “’Guess you haven’t heard much about this in the Spire, huh?” Neil said, chuckling over his drink. “It happened right before you came back”’ (86).
Another way S. J. Kincaid
creates suspense is by creating separation between Tom and the goal he’s trying
to accomplish. Tom is miles away, hundreds of thousands of miles away to be
exact, from everything he needs to accomplish. He is physically unable to reach
a place where he’s able to accomplish anything. He is also isolated. There’s no
one with him and there’s only one person who knows where he is. (Not a good
person, I might add.) “He was far away from everything, everyone. Without the
internet, Medusa couldn’t find him. If Vengerov was the only one who knew where
he was, the only one, then he wasn’t getting found. Not ever” (3817). Here, he’s constantly in danger. He’s
completely at the mercy of Joseph Vengerov and there’s nothing he can do to
change that. We have no idea what’s going to happen next, because we have no
idea what can happen next.
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